Bestiality, coercion, child kidnap and consent are all at the heart of A Midsummer Night’s Dream, and yet it is All’s Well That Ends Well that is labelled a ‘problem play’. This categorisation, coined by Frederick Boas in 1896, is neither apposite nor necessary. As Alistair Fowler defines, ‘every literary work changes the genres it relates to’. TheContinue reading “All’s Well That Ends Well (Editors Note)”
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